The Sample Granth
Six night-paper pages. A PDF read by the conceptual reader.
Everything below is live. Each component is shown the way a visitor meets it on the real site, followed by a short note: the concept it serves and the features it carries. Nothing here is a screenshot — touch everything.
The darbar door: mark, menu, progress and the communion orb — present on every page, outside the page flow.
A temple is recognisable before its doors open. The shell is the fixed layer injected on every page: the Kara mark at left, the menu at right, a hairline scroll-progress thread, and the communion orb bottom-right. It lives outside the page-transition container, so music and menu survive every chapter change.
The header — Kara lockup logo, hamburger toggle and the cinematic fullscreen menu — is the native YooTheme header, editable in Customizer ▸ Header / Dialog / Widgets ▸ Dialog. The communion orb is fixed site chrome — rendered once, outside the page, so it persists through every transition. Both are on this page right now: the logo and toggle top-right, the Hold to Commune orb bottom-right are the live components. They are not embedded here a second time — one chrome, one behavior, everywhere.
Fifteen ritual openers — the first breath a visitor takes. Each plays once per visitor, site-wide.
Before content, a bow. The opener is a full-viewport ritual that asks for a gesture — a hold, a tap, a stillness — and only then releases the page. It is the site’s threshold: nothing auto-plays, nothing skips the hand.
prefers-reduced-motion with a still threshold./concepts.Ten complete homepage languages, each built on one physical metaphor of the faith.
Each concept is a full homepage built on a single metaphor — a breath, a stage, nine doors, five rivers, one string, word-water, lamps, a constellation, the sangat, amrit vela. The gateway below is the real navigator used to walk between them; one concept (Breath) follows it, live.
manika-concept-*) so any page can borrow a language.The darbar between visits: prayer, hukam, hours, counting, calendar.
Concept: a prayer is not sent, it becomes light. Features: type an intention, hold, and a flame joins the wall; seeded flames breathe; stored only in the visitor’s browser — nothing leaves the hand.
Your ardas is not sent anywhere. It becomes light — a flame joins the wall, and stays only in this browser.
Concept: one line from the Guru, identical for every visitor, chosen by the date. Features: server-side selection (works without JS), Gurmukhi + English + Ang, quiet reveal on scroll.
One line from the Guru, the same for everyone, everywhere, today.
ਸੋ ਕਿਉ ਮੰਦਾ ਆਖੀਐ ਜਿਤੁ ਜੰਮਹਿ ਰਾਇ
Concept: the day divided into eight watches, as the old clocks kept them. Features: a real-time dial; between 3 and 6 the watch turns gold — Amrit Vela.
Eight watches of the day, as the old clocks kept them. Between three and six, the dial turns gold — Amrit Vela.
Concept: the next darbar is always coming. Features: live countdown to any event date; flips to “the darbar is open” when the hour arrives.
Concept: one bead, one breath. Features: tap the ring to count; completes at the chosen bead count with a quiet blessing; remembers the count per visitor.
Concept: the word as it was sung, line by line in a row. Features: Gurmukhi, transliteration and English set as one pangti; reading glow follows the scroll.
Concept: the sacred calendar as a season ribbon. Features: annual or one-off dates resolve to their next occurrence; the nearest observance burns brighter.
The observances ahead — the nearest one burns brighter.
Concept: the page ends the way a granth is closed — with a seal. Features: the Ik Onkar draws itself in a single stroke as it enters the viewport; small or large.
The innermost room: dual-lyric audio communion. Click any row below — the overlay opens and sings.
Music on this site is not a widget; it is a room you enter. The tracklist is the door: every row, seek result and album button loads the same queue and opens the fullscreen Darbar overlay.
Select a shabad to enter the Darbar — dual lyrics in Gurmukhi and English.
One conceptual chrome over YouTube, Vimeo or a self-hosted file. Press the sigil.
Film enters the darbar without bringing someone else’s controls with it. The vendor engine mounts only at the first hand; until then, a poster and a gold sigil.
YouTube, Vimeo or .mp4 — one chrome, one manners.
Photos and films open into a veil that drifts on a slow breath. Click a frame; toggle “breath”.
A gallery should behave like memory — images arrive slowly, leave slowly. Frames open a fullscreen veil; photographs drift on an 11-second breath, films play in place, a gold thread keeps the place.
Mixed photo + film, bilingual captions, breath auto-advance.
PDFs open framed and paged in gold; text files open as breath pages. Press Read.
Books on the shelf should open in the same room they live in. The reader veils the page in darbar dark, pages with gold arrows and keys, and keeps your place on a thread.
PDF (framed, paged, zoomable) and text (breath pages of three breaths each).
Six night-paper pages. A PDF read by the conceptual reader.
A text source, breathed into pages.
Quote, manifesto, statistics and presence — the elements that carry Manika’s voice and its evidence.
Placing Sikh Kirtan onto the global stage, Manika's voice is an elegant, borderless invitation to inner peace.
Concept: the voice is an invitation, never a claim. Features: oversized Cormorant quote with a gold tail, Gurmukhi watermark, optional attribution; the manifesto variant sets one gold phrase alight inside a longer breath.
100% of profits fund education and housing in Punjab.
Children Educated
Homes Built
Of Profits to Seva
Concept: proof, quietly. Features: tabular numerals that count up on first sight; labels in tracked Montserrat; optional background image behind the row.
Concept: one photograph, held like a portrait in a darbar. Features: full-bleed image with a dark scrim, Gurmukhi side-note and caption; the photograph breathes on scroll.
Albums, live dates, events, service and the archive — the elements that carry the catalogue.
Concept: each record is a room with its own light. Features: cover, year, track hooks; play buttons deep-link into the communion queue; alternating layouts.
Kirtan is meant to be shared. Find the next gathering.
Concept: kirtan is meant to be shared. Features: date rows with hover gold; events pull from the mk_event CPT; an honest empty-state line when the road is quiet.
Kirtan for Causes currently supports 200 children through holistic education, partnering with Educate to Save. For just 90 pence a day, a child’s whole life can transform.
Two homes built for disadvantaged families enrolled in the scheme — shelter as the first note of any song.
Supported from age ten, Gurpreet Kaur passed the All India Engineering Entrance Exam, studied Computer Science at Guru Nanak Dev University, and now studies journalism. “After contacting Kirtan for Causes, my life completely transformed.”
Cost-effective, quality holistic schooling with modern educational infrastructure — working independently of any individual, political or institutional influence.
Concept: the music continuing as hands. Features: cause cards from the mk_seva CPT with progress toward each goal.
What the world wrote
Before the first album
Concept: a darbar keeps its papers. Features: ledger-style rows with Gurmukhi watermark; items expand into their collections.
The seek engine searches every lyric on the site; connect opens the doors to the world.
Concept: seek and you shall find — a mantra, a word, a feeling. Features: searches all track lyrics (Gurmukhi + English) live; results deep-link into the player at the matching line.
For bookings, collaborations, and press inquiries.
Concept: the door back out to the world. Features: booking/press contacts with management line; social links as gold hairlines; the global strip carries the brand into any footer.
The two elements that open ordinary pages in the identity’s voice.
Every element on this page is a component — this hero is one of them.
Concept: even an ordinary page opens with a bow. Features: hero sets a full-bleed photograph under a dark scrim with a tracked prefix and gold italic; the chapter element (used as every header on this page) numbers and titles any section in the same voice.